Loose Change

Thursday, March 19th, 2009

changeWhile poking around the new Facebook layout, I notice an apparent backlash from the community regarding recent improvements. The common sentiment is that these improvements are anything but. Why is this? What is troubling is that the same people who are whining now, were pretty much the first to bash the last modification as well. The outcry is reactionary at best, and it clearly fails to exhibit a rational understanding of why Facebook did what it did. One simple truth dawned on me : people aren’t truly ready for change.

You must be thinking, how is Kriheli using Facebook to make such general accusations? Look folks, this is widespread. Yes, America took a step forward by electing Obama last November, but something deep down tells me that the utter failure of the previous administration catapulted this purported “change.” That’s not to say he didn’t deserve it, and rise under his own legs. Hell, I was sold as soon as he took the podium for the keynote at the DNC in ‘04 when Kerry was making his lackluster run. But, here we stand – less than three months into the presidency, and people are still uneasy despite this historic, remarkable shift in confidence (or so it seemed).

This shift is an illusion. I wholeheartedly believe that most folks are not set to lead, but rather follow. They are sheep. Baaa. Yea, I’m looking right in your direction, America. You’re the folks that shamelessly beg for change because it’s the catchphrase of our time. Fads aside, I want to see you embrace transformations and refinements, rather than pretend to want it. We are supposedly on the brink of an era that will give way to a metamorphosis of consciousness. Despite this, I have reason to believe that people are ill-prepared to adapt and adjust. Facebook, like most things in your life should, and will evolve. It will synch with rapidly growing technology and align itself with the hard truth that change is not only necessary, but also unavoidable.

That said, I think all the haters need to come up with legitimate, adult arguments and concerns to facilitate critical discussion. This will undoubtedly make things better. Whining, and petitions are for lightweights, and sheep. So stop begging for change if you aren’t willing to make sense out of it, when it comes. Your pockets aren’t that deep.

A Faceless New York (Part 3)

Monday, February 9th, 2009

I am standing on the platform in Jackson Heights, waiting for an express train when I see the light of a train approaching through the tunnel. Only now, I can’t tell which train is coming until the front car has entered the station. And even so, it takes a bit of squinting until it comes close enough to make out the badge. Yes, I’m getting old – but my eyesight is still good. So, it’s not that.

Earlier, when I threw up my dukes against gentrification and the loss of character in New York City, I glazed over another, more obvious example of losing face: the MTA’s wavering identity. I am not even talking about the loss of graffiti that once turned a train-ride into a lesson in underground, urban graphic art. Now, trains are virtually unidentifiable.

I have had plenty of beef with the MTA in the past, but this time its striking a different chord with me. Being that I’ve invested a large portion of my adult professional career in graphic design, I feel somewhat obligated to call out the MTA for this tragedy-in-the-making. Please join me in a collective: “what the eff happened to the design system/taxonomy?”

The MTA still uses the color-coded lines representing routes or trunks in their maps and stations, but traces of this system are slowly going extinct on the trains themselves. The new R142 trains that are slowly replacing the smelly-old cars are nice, clean and effective (so far). Let’s face it – anyone who has used the MTA in the past will appreciate the clear instructions being relayed instead of the muffled loud crap that no one understood anyway. But, the color codes and graphic design system is absent on the outside of the cars.

Thus, distinction is lost now. The experience is radically different in my estimation. There aren’t many cool things about the MTA, and you will rarely hear me compliment anything they do. But the graphic design is tight, and they had it good. The ubiquitous Helvetica used throughout with a strong color arrangement makes for a very user-friendly, seamless scheme.

I can’t believe today I can say : there used to be a time when I could tell which train was coming from almost a station away. That said, I strongly urge the MTA to bring back the color coded designs to the exterior of the cars. Actually, consider this a plea. Don’t destroy the only thing you have going in your favor: your face.